This is a selection of projects and milestones.
2015 |
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em play records |
Clink Machine – Fist in My Pocket music production/single, mastering release: September 25, 2015 |
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em play records |
Clink Machine Albums 1990-2008 restoration, re- mastering |
2014 |
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em play records |
Clink Machine – All That Beautiful Noise music production/album, mastering release: December 2014 |
2012 |
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em play records |
Clink Machine – Jaywalker music production/single, mastering |
2010 |
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Pure Energy Records |
Vandice – Breathing music production/remix |
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em play records |
Albuquerque Beatz – Twenty Ten Rock It music production/single, mastering |
2009 |
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em play records |
Clink Machine – Protector music production/album, mastering |
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Roomboys Records |
Trausa & Silver – Slave to Design music production/remix |
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industrial media solutions |
Continental Image Film music production/film |
2008 |
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em play records |
Clink Machine – Silence After the Shot music production/album, mastering |
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Native Instruments |
Native Instruments Cirkulator mock-up product presentation music, sound design & mix |
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Kribbelköpp |
Christmas Concert TV Advert edit & mix |
2007 |
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Cameo Tunes |
Ripley & Jenson feat. Cocoune – Neverland mastering |
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Cameo Tunes |
McMenace – Mind Stalker mastering |
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em play records |
Crystal Dome – Opus 9907 music production/album, mastering |
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em play records |
Greg Flood – Ordinary Subjects Revised music production/album, mastering |
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Cameo Tunes |
Church Of House – Be Happy mastering |
2006 |
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Cameo Tunes |
Founding of Record Label dance & pop music |
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Size Music |
De Lancatser – Touch My Body music production/remix |
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Size Music |
Ripley & Jenson – Twist and Turn music production/remix |
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Cameo Tunes |
Ripley & Jenson – Stardust mastering |
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Image Line Software |
FL Studio Musikmesse Frankfurt 2006 edit, mix |
2005 |
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Image Line Software |
FL Studio Musikmesse Frankfurt 2005 edit, mix |
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em play records |
Ripley & Jenson – King Jupiter (Music Video) edit, sound design, mix |
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em play records |
Clink Machine – Foolish Kings & Kingsize Fools music production/album, mastering |
2004 |
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em play records |
Ripley & Jenson – AlienSafari (EPK) edit, mix |
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em play records |
Ripley & Jenson – AlienSafari mastering |
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em play records |
Ripley & Jenson – Wonderful Night music production/remix |
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em play records |
Ripley & Jenson – New Life vinyl mastering |
2003 |
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em play records |
Crystal Dome – Sixteen Divided music production, mastering |
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em play records |
Digital City – Ricochet music production, mastering |
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em play records |
Albuquerque Beatz – Stardust Surfer music production, mastering |
2002 |
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clubbgroove/Kontor |
Reflex – Babadeng music production/remix, mastering remix production for Woody van Eyden, Spacekid and ATB project Reflex |
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3P |
Glashaus – Land in Sicht music production/remix, mastering remix production was rejected |
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Ulead Systems |
Software Presentation Videos edit, mix Photo Impact software presentation videos for Cebit & Photokina |
2001 |
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em play records |
Founding of Record Label electronic & alternative music |
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em play records (re-release) |
Clink Machine – World Stage music production/album, mastering |
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aalto Theater |
Opera Recordings live recording editing |
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bhv Software |
Software Presentation Videos edit, mix software presentation videos for Cebit & Games Convention |
2000 |
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kindergarten |
Oh wie schön ist Panama theater music production |
1999 |
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em play records (re-release) |
Clink Machine – Return to High and Low music production/album, mastering first overall digital album production (1997-99) on an Apple PowerMac G3 |
1998 |
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CentrO. |
Public Evacuation Announcement sound design evacuation announcements and signals for shopping mall |
1997 |
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Columbine Records |
Loopmaster – Activity music production/track, mastering contribution to the CD sampler ‘Music for America’, released by Columbine Records/Hollywood Artists Record Co., Los Angeles |
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research |
Loopmaster Re-Mastering restoration, mastering digital signal processing for CD pre-masrtering |
1996 |
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research |
Various
CD pre-mastering, audio file distribution via MP3/WWW, digitalization of recording procedures |
1995 |
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em play records (re-release) |
Clink Machine – R.I.P. music production/album, mastering recording on three ADATs, mastering on DAT |
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Youth Welfare Office |
Image Film edit, mix film was shot on Grundig VHS camera, edited on two Panasonic VCRs controlled by video production desk and one DAT recorder |
1994 |
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Youth Welfare Office |
Theater Music Production arrangement, live performance co-ordination music was played back on an Atari computer running cubase, triggering various synths and samplers |
1993 |
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various |
Live Concert Mixing mixing on 32ch Soundcraft desks concert productions of local bands and festivals |
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Sacriligion |
Studio Recordings music production recording track on Fostex G24S for CD sampler |
1992 |
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Delaware (re-release) |
Delaware – Demo Recordings recording, mixing recording six digital label demo tracks for the band Delaware |
1991 |
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em play records (re-release) |
Clink Machine – Clink & Thunder music production/album, mastering recording on 16-track Tascam reel-to-reel, first production to utilize a 16-bit sound sampler (Akai S1000), mastering on DAT, re-release to be announced |
1990 |
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em play records (re-release) |
Clink Machine – The Sound of the 1990s music production/album, mastering recording on 16-track Tascam reel-to-reel, re-release to be announced |
1989 |
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em play records (re-release) |
Clink Machine – What Does It Mean? music production/single, mastering recording on 8-track Tascam reel-to-reel, first production to utilize a sound sampler (Roland W-30), re-release to be announced |
1985-1988 |
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various | various music and sound recordings on four-track tape recorder |